Print

My two weeks of print was split up over the Christmas break.. In my first week we were taught basic digital print skills on Photoshop and Illustrator. Having previously done a Digital Print Course it served as a recap. I went to Kew Gardens to gather research and inspiration for my print collection, focussing on the surfaces and textures of the plants.

Below are a few of my favourite shots.

The colours I found within the plants were very natural and served as inspiration for my colour palette. 
My final 4 digital prints.

After the Christmas break we were printing using newprint stencils (I made templates based on the surfaces plants in Kew Gardens) and acid dyes on silk. I liked the process of making the acid dyes from the powder as it reminded me of my A-level chemistry.
We used a mixture of silkscreen and mono printing to create our final 6 prints, Each stencil only lasted about 3 prints. It was a very stressful day in the print room to finish all 6 samples.

This is my favourite print from the collection

Upon reflection I found it quite amusing that my prints have an African quality about them, as I had just returned from South Africa. I really like the way they work as a collection but are all very different yet have the same almost tribal undertone.

I enjoyed printing I could definitely see myself specialising in print or digital print, as the technique feels very natural.

Weaving

My 2nd technical block was Weaving. I have been exposed to weaving before and I own a mini hand weaving loom which I actually have never used and several weave designers' books. I began this technical block feeling optimistic it seemed very therapeutic methodological.

We started by creating a wind of our 2 chosen base colours, derived from our research from rough guide.

3 days into Weaving I still hadn't begun to make an actual weave! The process threading and setting up your loom took forever. The steps were pretty straight forward, but you had to concentrate constantly or you'd mess up the pattern-it's all very specific. We were in partners so I'd imagine it would be a lot worse doing it alone.

We got given weave pattern sheets with 20 basic examples of the kind of patterns we could use, then we got experimenting. I followed the pattens with ease but the repetitive steps had me "zoning out" and I didn't feel completely engaged in what I was actually doing. Once I began experimenting with colour and exploring the effect colours have on one another I became more absorbed in creating my samples.

Below are my weave samples

This is my particular favourite sample, I love how the use of 2 threads at once completely alter the pattern and allow me to essentially create 2 separate patterns and colour combinations in one go. I tried to contrast the autumn tones found in my box clever with the greens captured from the surfaces of plants in Kew Gardens.

After my 2 weeks of experience I have come to the conclusion that weaving isn't for me. The various patterns and colours can create stunning pieces if given enough time but I feel that the process is too mundane.

Rough Guide: Surfaces in Kensington

On our first week of term we were given a project where we were to create a rough guide to london. We got split up into 5 groups and were sent to location either;

• Shoreditch
• Brixton
• Kensington
• Soho
• Southbank

My area was Kensington.

Out of the 5 options, Kensington is the place I have the least interest in and know the least about. As an area it's pretty predictable, clean white/pastel houses which manicured lawns and designer clad inhabitants. I decided to focus on parts that they can't gloss over which are typical parts of London; decay and destruction from everyday use, I focussed on interesting colours and textures in Bricks from the houses as well as chipped paint and cracked or stained tarmac on the floor. I took over 100 pictures, here are some of my favourites.

I like the blue stain contradicting with the shrivelled petal. I think it shows a scruffy side of Kensington that would usually be swept under a coat of white paint or tiles or something. It also looks like a mistake an art student would make whilst documenting the area.

I particularly like the vibrancy of this image, this was taking along Portobello road, which is arguably the most interesting part of the area. I like how the crack creates such a strong contrast to the shocking red paint.

I arranged the images as thumbnails and places them in my sketchbook as colour swatches, using colour classification system. The sketches were done using Conte chalks.